由里國(guó)際設(shè)計(jì)傅瓊慧作品夏日瑪黑之夢(mèng) Songe d'été Marais。將天馬行空形構(gòu)於方圓之間，帶著幾何延伸放大視覺(jué)表徵，集結(jié)起童話想像力。
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[項(xiàng)目簡(jiǎn)介]
項(xiàng)目名稱：夏日瑪黑之夢(mèng) Songe d'été Marais
主創(chuàng)設(shè)計(jì)師：傅瓊慧 CHIUNG HUI FU
輔助設(shè)計(jì)師：李肯 KEN LEE、潘慧慈 HUI TZU PAN
設(shè)計(jì)區(qū)域：全屋室內(nèi)
項(xiàng)目所在城市： 高雄
項(xiàng)目總面積：172㎡
項(xiàng)目總造價(jià)：200萬(wàn)人民幣
A.More is more and less is a bore，極致繁盛美學(xué)
“More is more and less is a bore” bold and expressive aesthetics inspired by maximalism.
將天馬行空形構(gòu)於方圓之間，帶著幾何延伸放大視覺(jué)表徵，集結(jié)起童話想像力。整個(gè)場(chǎng)域巧妙以藝術(shù)鏈結(jié)每個(gè)面向，滿載令人驚奇的超現(xiàn)實(shí)感官，詮釋了極繁美學(xué)的迷人樣貌，實(shí)現(xiàn)「More is more and less is a bore」的真實(shí)精神。強(qiáng)調(diào)室內(nèi)創(chuàng)作本無(wú)須依循常規(guī)出牌，在具秩序的美感下亦可恣意狂放盛大展現(xiàn)，將層層疊加的Art Deco風(fēng)格衝擊釋放進(jìn)藝術(shù)感官，達(dá)到精神層面的極繁之美。
Saturated with imagination and the realm of fantasy, the space is visually augmented by sundry geometric shapes and boundless forms. The touch of an artist is palpable in every aspect of the area, creating a surreal atmosphere under the alluringly extravagant aesthetics of maximalism. Here, the true spirit of "More is more and less is a bore" is realized, showing how interior design does not need to be limited to conventional styles. Portraying the flamboyant aesthetics in an orderly and tasteful way, the luxury of the Art Deco style captivates one’s senses and reaches a spiritual level.
作品基地鄰近人文薈萃、綠蔭蔥蔥的高美館周邊，其建築為普立茲克建築獎(jiǎng)得主「Hans Hollein」操刀之作，彷若向周遭往來(lái)川流發(fā)出邀請(qǐng)，引領(lǐng)眾人走進(jìn)與藝術(shù)為鄰的美好境地，繼而跳脫常規(guī)住宅視覺(jué)樣貌，注入豐富的人文修養(yǎng)登堂入室，彰顯「生活美術(shù)館」的大美理念。
The site of this project is adjacent to the K.M.F.A (Kaohsiung Museum of Arts). Designed by Pritzker Architecture Prize winner Hans Hollein, the museum invites people to gather here and interact with the art and the beauty of the neighborhood. The project forsakes the conventional appearance of residential buildings to instead showcase rich history surrounded by lush greenery, thereby representing the concept of a living art museum.
B.從超現(xiàn)實(shí)的瑪黑之夢(mèng)為起始，串起即繁藝術(shù)
The surreal dream of Marais (Songe d'été Marais) ties together the artistry of the space.
藝術(shù)的浸染與療癒是舉目可待的，也是深化場(chǎng)域的象徵性隱喻，可讓觀者觸發(fā)更多感知，空間以藝術(shù)品展演Art Deco不僅提昇視覺(jué)豐滿，又能帶來(lái)具觸動(dòng)靈魂的療癒感受。
Containing an evocative symbolism within the panorama, the dreamscape “Songe d'été Marais” immerses the soul in a golden aura of healing. The addition of sleek Art Deco pieces moreover enlivens the space as well as touches the heart with its comforting energy.
客廳裡的主場(chǎng)藝術(shù)為整個(gè)空間指標(biāo)，沙發(fā)背牆上大面積對(duì)比強(qiáng)烈的超現(xiàn)實(shí)主義畫(huà)作「Songe d'été Marais - 夏日瑪黑之夢(mèng)」為主視覺(jué)發(fā)想起點(diǎn)，營(yíng)造著自然森林裡輕鬆自在的快樂(lè)氛圍。一旁有輕銜著水晶燈的長(zhǎng)頸鹿雕塑以優(yōu)雅站姿，在與畫(huà)作的關(guān)係間更顯層次趣味。落地窗對(duì)向以不規(guī)則的有機(jī)橢圓型體畫(huà)出的黑色內(nèi)崁櫃，線條中帶著動(dòng)感曲型，使整體場(chǎng)域的超現(xiàn)實(shí)趣味更顯生動(dòng)契合。
“Songe d'été Marais,” the large-scale surrealistic painting behind the sofa, renders itself the main focus of the living room, extending the relaxing atmosphere of nature to the space. Beside this mural, an elegant giraffe sculpture holds a crystal lamp in its mouth, creating a layered wilderness next to the forest in the painting. The black cabinet in the wall facing the floor-to-ceiling windows is organically shaped in an irregular semi-ellipse, and its dynamic curves continue the overarching surrealism.
迎著客廳落地窗前可坐臥的大理石平臺(tái)移動(dòng)，巨型頂天立地的金色不規(guī)則連續(xù)柱體，以多變的流線造型彰顯錯(cuò)落張力，柱體通透間亦使雙廳達(dá)到無(wú)邊際視野。此區(qū)為沙發(fā)對(duì)向面，放下投影布幕及可替代電視螢?zāi)弧－h(huán)顧廳間四周皆以超現(xiàn)實(shí)美學(xué)群聚，欣喜幾近的演繹著極繁藝術(shù)。
Next to the marble platform where people can sit and lie down in front of the windows in the living room, irregular golden columns convey a scattered tension. The openings between the columns allow one to have an unobstructed view from the living room to the dining room. Opposite to the columns and by the sofa, a projection screen can be lowered from the ceiling. Gazing around this spectacular public area, people gather among vibrant, ornate aesthetics and palettes that evoke joy.
C.抽象藝術(shù)的意念，鏈結(jié)日常
Abstract art merges with daily life.
金色柱群另一側(cè)是公領(lǐng)域用餐區(qū)，主視覺(jué)設(shè)定以荷蘭設(shè)計(jì)師 Dennis van Zanden的「Kintsugi」創(chuàng)作，以超現(xiàn)實(shí)主義表現(xiàn)的複合媒材，鋪陳出的立方體臉孔帶著斑駁平面層次。對(duì)應(yīng)前方七座依序以月亮陰晴圓缺做為主題表現(xiàn)的燈具，呈現(xiàn)饒富趣味的展示。一旁的輕食吧檯規(guī)劃在公領(lǐng)域動(dòng)線上，可方便各區(qū)所需支援日常輕食。其造型以錯(cuò)落且平衡的微妙對(duì)比，將柱型與大理石重組延續(xù)量體視覺(jué)，將整場(chǎng)域的材質(zhì)層次呼應(yīng)的更有延伸性。
On the other side of the golden columns is where the public dining area is situated. The key visual wall uses a multi-medium technique to depict Dutch designer Dennis van Zanden’s “Kintsugi,” layering mottled cubes to form a surreal face. The wall corresponds with the seven hanging lamps above the dining table, and these sumptuous lamps artfully render the waxing and waning of the moon. For a convenient stop for light snacks during the day, the bar on the side is positioned in the circulation line of the public area. The bar’s subtle contrast between the columns and marble continues the voluminous vision and echoes the materials used in other parts of the site for an overall cohesive look.
內(nèi)側(cè)過(guò)廊為公私領(lǐng)域中介，順勢(shì)巧妙轉(zhuǎn)化為多功能開(kāi)放書(shū)房，壁面主視覺(jué)呈現(xiàn)「非語(yǔ)意寫(xiě)作」的寫(xiě)意手稿，呈現(xiàn)一種微小無(wú)語(yǔ)的開(kāi)放形式塗鴉風(fēng)格，如同無(wú)意義的真空哲學(xué)提點(diǎn)工作者隨時(shí)填補(bǔ)記憶，畫(huà)面呈現(xiàn)是亂中帶序的隨意美感，形構(gòu)可自由詮釋，帶出變換自如的空間聯(lián)想。
An intermediary between the public and private areas, the inner corridor is cleverly transformed into a multi-functional open study room. The key wall displays artistically unintelligible scrawls of cursive in an open-form graffiti style. Without real words already written on the walls, people can fill the space with their own words and memories. Akin to stars scattered onto the canvas of sky, not perfectly arranged but still shining and all the more beautiful due to their disarray, the ink represents a haphazard beauty of chaos and order across the wall. Leaving the meaning open to interpretation, the space remains in a constant flux, altering in the eyes of the viewer.
D.沉靜中的動(dòng)態(tài)，私領(lǐng)域藝術(shù)
Artistic dynamics in a quiet private area.
私領(lǐng)域是休息之處，我們必須讓空間氛圍沉靜下來(lái)的，同時(shí)又希望能保有安靜中的活潑度，以及居住者個(gè)人的獨(dú)特性，所以將巧思用在質(zhì)材顏色與軟裝藝術(shù)的點(diǎn)綴上，讓空間的靜與動(dòng)呈現(xiàn)出一種安適平衡。
With an atmosphere of tranquility, the private area is designated for rest. The design focuses on the interplay between liveliness and this serenity while preserving the residents’ unique personality in the space. The design employs meticulousness and ingenuity in the embellishment of materials, colors, and decorative art, bringing out a welcoming balance of stillness and movement in the space.
在主臥裡，我們將動(dòng)靜平衡的主視覺(jué)放在床頭背牆的裝飾，巧妙以雙弧面拼接的背牆，靠落地窗向光面以大面積留白，靠裡側(cè)則以灰色系漸暗銜接同色衣櫃門(mén)片，牆面上裝飾飄零落葉，從白到灰延伸一抹漸進(jìn)微暗，一如渡過(guò)白日向光到夜晚安寢的隱喻。
In the master bedroom, the main visual balance of movement and stillness lies in the back wall of the bedside being cleverly spliced with double arcs. The bright area left of the floor-to-ceiling window is painted a natural white. The darker side is decorated with falling leaves and painted gray with a gradient effect, with the darkest shade of gray matching the color of the wardrobe door. The space darkens from white to gray as a metaphor for passing through the light of day to sleeping at night.
次臥女兒房的視覺(jué)焦點(diǎn)，主軸在圓弧的串聯(lián)，精神則著重在色彩計(jì)畫(huà)上。拱型床頭、拱形門(mén)框、弧形半身鏡等，一連串的柔美圓弧，將知性的粉灰與米色系襯托的更具活潑動(dòng)感，甜美中帶有相當(dāng)?shù)陌捕ǚ諊?br/>The visual focus of the second bedroom, the daughter’s room, is the series of arcs, and a light spirit is created through the room’s color plan. A large arc in the wall as a headboard, arched door frames, curved half-length mirrors, and other series of soft arcs create a lively dynamic against the light pink gray and beige colors, fashioning a sweet and balanced aura.
臥客房為中性定調(diào)木質(zhì)色系，空間中留下大部分的可再佈置性供日後入住者做喜好更換。其主視覺(jué)落在床頭牆面大膽的佛經(jīng)折式石紋裝置，以木質(zhì)材的深沉穩(wěn)重襯托起石紋的自然奔放，跳出主視覺(jué)對(duì)比，讓滿室的安靜感活潑起來(lái)。
Arrayed in neutral wood tones, the other bedroom leaves most of the space reconfigurable for future residents if they are inclined to decorate according to their own preferences. The focus of the room is the boldness of the folding marble pattern board on the bedside wall. The deep and steady nature of the wood offsets the natural variation in the swirling marble pattern, emphasizing the contrast to invite life into the quietude of the room.
動(dòng)靜皆宜不僅只在表現(xiàn)強(qiáng)弱力度，更可在視覺(jué)與色彩上呈現(xiàn)動(dòng)靜態(tài)對(duì)比，將軟裝藝術(shù)延伸進(jìn)生物心理層面。
The soft decorative art reaches people’s minds and hearts. The combination of movement and stillness not only expresses strength and intensity, but also presents visual contrasts of color.
E.環(huán)保說(shuō)明
室內(nèi)主要選材 : 水晶燈、造型燈、大理石、木作、鐵件、司曼特、特殊漆、特殊壁紙、訂製家具。空間表現(xiàn)多以可替換式的視覺(jué)裝飾為主，輔以軟裝呈現(xiàn)，讓室內(nèi)能隨四季心情與時(shí)間推移換置更新佈置，其理念來(lái)自快時(shí)尚產(chǎn)業(yè)概念，可降低木工施作與不可更替性等等資源耗損。
多樣化的動(dòng)靜皆宜視覺(jué)性，不僅只在表現(xiàn)空間力度強(qiáng)弱，更可在視覺(jué)與色彩上呈現(xiàn)動(dòng)靜態(tài)對(duì)比，將軟裝藝術(shù)延伸進(jìn)生物的心理層面，降低採(cǎi)購(gòu)耗損。
【主創(chuàng)設(shè)計(jì)師】
左：傅瓊慧 CHIUNG HUI FU 由里國(guó)際設(shè)計(jì)設(shè)計(jì)總監(jiān) 右：李肯 KEN LEE
從業(yè)時(shí)長(zhǎng)：32年
工作城市：臺(tái)南市
擅長(zhǎng)風(fēng)格：現(xiàn)代風(fēng)、鄉(xiāng)村風(fēng)、新古典、輕奢、等各式客製化風(fēng)格
【由里國(guó)際設(shè)計(jì)】
我們喜歡空間應(yīng)隨著人、事、時(shí)、地、物表現(xiàn)不同的表情與詞彙，每個(gè)空間有不同的面貌、姿態(tài)，每位業(yè)主有不同的生活習(xí)性、喜好與品味，設(shè)計(jì)師並非反覆複製漂亮的設(shè)計(jì)，應(yīng)該是敏銳而體貼的觀察家，引導(dǎo)空間透過(guò)設(shè)計(jì)創(chuàng)造更多可能，展現(xiàn)空間的理性與感性。
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